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Sean Lovelace @ FlashFiction.Net: Briefly Concerning Flash Fiction

 

  1. Concerning the History of the Genre:

 

Jesus woke. He ate three herring, drank a mug (big-ass wooden one his dad made. Like a souvenir stadium cup) of potent wine, then strolled about Galilee. The sky that day resembled the cotton from an asthma inhaler, and the winds sewed, weaved, and knitted the sand into one enormous Jupiter-ass sirocco, but most of this irrelevant, unless you just like weather. These days it seems everyone is into the weather. Probably something to do with control, mortality, or the absolute unpredictability of a tornado, of illness, a relationship, you know, like maybe your girlfriend an hour late, another hour (no phone call, no text), another, then gone. As usual, crowds blossomed. As usual, people started pestering Jesus with questions. A young man asked about virgin versus extra virgin olive oil. One woman didn’t want to sell all her earthly belongings, period. Was there another way? One man with a head like a luffa gourd wanted Jesus’s opinion on his wayward friend. His friend was doing low motels, bad drugs, rangy men, all that pitiful and scrambling way. “Should I hang out with this woman anymore? I mean she sins like fish swim,” the man said to Jesus.

Jesus told him a story about a lost sheep.

Buddha would have told him a koan about the Lost Son. Or maybe even the Canary and the Benevolent Rat. They both end the same.

Allah has this one about the engineering of a spider’s house.

(“Nothing.” He cleared his throat. “It’s just that I want to hear your voice.”)

Most everyone tells the one about the coyote, or they might throw in the Universal Question: “Why does Batman have a dog?”

On and on….I guess I aim to prove flash fiction is not just here, but been here. Example: In 1984, two Syrian friends of mine who happen to do a lot of digging in their line of work (irrelevant here, the exact nature of their business) stumbled upon two stone tablets along the Euphrates River. Etched upon the stones were several symbols and a series of hash marks. My friends took these tablets to the National Museum of Damascus, and learned the stone tablets dated 6,000 years old, and the writing said roughly this: “Ten sheep crossed here, or maybe ten goats.”

Now that’s a story.





 


  1. Concerning a Traditional Flash Fiction Structure:

Protagonist: Sara.

Conflict: I’m not sure. Thing was Sara worked as a janitor in this big high-rise in Chicago and they gave her $85,000 and her own loft apartment. It was a union job, too. She had this sack of weed in her closet the size of a beanbag chair. She only drank Jack Daniels. All of this blew my mind, to be honest. A janitor. I never knew they lived this lifestyle. I was too small a person to deal with the whole thing. To just understand I know nothing. Now I know that I know nothing, I think.

Obstacles and complications: Well, she routinely ate all my rotel dip. She put it over white rice. Weird. There was the day she sold my favorite picnic basket on Ebay. Oh, that steamed me like feed corn. So I hid all her shampoo up in the ceiling tiles. And I put Spree in the showerhead of her bathroom. I did something else with Superglue and her mom’s shoe closet, I forget. A series of tiny things that possibly appear a bit larger now, in the gauzy retrospect of time. Oh, but I remember the Tuesday she told me, “You know what? The energy of this relationship is all wrong. It’s like your standard incandescent light bulb.”

“What the hell does that mean?” I asked her.

And she strolled right out the door.

Resolution: I found the picnic basket later in the attic. My bad.

(“I’m wondering how you would describe me,” Sara said.)


  1. October 31st, 1999, or the Vagaries of the Muse:

She was in this hotel in Kansas and had a mound of cocaine. Now look, she’d seen plenty of cocaine in her day but never in mound form. An early dinner of Velveeta cheese and bourbon. Watched a TV show where two young models ate raw horse intestines in an attempt to win $50,000. Finally, the cashier from the gas shack across the street arrived. He was not what you’d call a looker, but she never was superficial. He saw that cocaine on the table and it was like a child the first time you let them run through the sprinkler. Eyes big as the alphabet. “You weren’t lying,” he said. His clothes must have been on fire, the way he leaped out of them. Outside the wind was howling (this for the weather people again). Then they started howling. The walls howled and the ceiling howled and God/cloud-sing/digital camera Budweiser howled and she woke up the next afternoon feeling way down scrubbed out true and 6000 years of her life most likely gone missing. That kind of mileage. There was a knock at the door they didn’t even hear. And then the kicking.

(If you write 600-700 flash fictions, possibly one might resemble this Halloween.)

(The tip here is setting.)

(The tip here is to shake something. To make, or unearth.)


  1. Concerning several metaphors I’ll just toss out onto the page.

The moon is big-ass proud tonight. Like Kelly Clarkson, strutting across the curtain-parted stage of my windows. I suppose I should sit down and write.

“It was raining hard and the river rising,” one of my friends told me. “We just kept on digging. Never know what you’ll find out there.”

(“You don’t love me,” he would tell her. “The moment I hint you’re not perfect, you could pull out the claw hammer.”)

I’d like to say here that rotel dip is not an appetizer. People think that—but it provides a full and satisfying meal.

And I’d like to say, right here and now, there’s not a damn thing wrong with a standard incandescent light bulb, or its energy distribution (90% heat, 10% light). We glow how we can, Sara. And like you, your compact and silvery flickering soul, the new efficient fluorescent bulbs contain a toxic and deadly core—mercury!

Mercury, Sara!

But I do digress…


  1. Concerning the Universal Question:

Because Batman likes dogs.

("For God's sake, come back," I told her.

                                                She said, "No. It's the end.")


 

About the author



Sean Lovelace has a new collection of flash fiction out from Rose Metal Press. He publishes all over. He blogs here.

 

Comments (5) Comments RSS

  • I don't know, man. There seems to be a method to this madness. You think?

    "The tip here is to shake something. To make, or unearth."

    Ah, but what if we can't do it like Sean can? Then maybe we can try and figure out what's so right and perfect about lines such as these:

    "The moon is big-ass proud tonight. Like Kelly Clarkson..."

    "eyes big like the alphabet."

    And then there's this:

    "Conflict: I'm not sure."

    Neither am I, but damn it seems like Sean is having a blast shaking n' baking all kinds of stuff. Makes me want to give it a whirl, see what I can come up with.

    This boy is an inspiration to behold(read), as usual.

  • dang it, now I want to go dig some clay and make some cuniform tablets. Mine would be a grocery list: "She bought four everything bagels and some brown sugar bacon and all of it has crossed the river."

    I like your scrambled eggs chap, Sean. So does my cat. I read a couple out loud.

    You know what it is, Tony, he writes just like there are no rules or something that says things have to make sense to everybody. He writes like things just have to make sense to him. Good God.

  • Yes! Like he's been unleashed upon us!

  • This morning I was thinking about the Milky Way over my bustello, and the billions of galaxies out there which reduce our own galaxy to a spec of flea's dandruff, and the relative (un)importance of writing.

    Then, Sean Lovelace. And I'm a believer again.

  • the top of my head--taken off.
    i cringe & i love.
    i freakin adore.

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