Flash Fiction: for writers, readers, editors, publishers, & fans


Flash Guest: Jordan Blum Describes a Different Kind of Workshop

Clear­ly, a much more help­ful and seri­ous approach is need­ed, and I believe I have one—workshops should focus on only a few con­crete sug­ges­tions that will tru­ly affect the piece, and every­one involved should know what will be dis­cussed ahead of time. 


Chapbook Review, Put Your Head in My Lap: Stories by Claudia Smith

The sto­ries in Clau­dia Smith’s PUT YOUR HEAD IN MY LAP are heart­break­ing in their hon­esty. Noth­ing is sug­ar-coat­ed and while read­ers may feel the need to look away from the raw emo­tion dis­played on the pages, their eyes can’t help but be drawn back. 


Four Must-Read Steps For Revising Your Flash Fiction

You’ve writ­ten some flash, and now, before it’s com­plete, you must revise in order to get the piece to be the best that it can be, whether you’re look­ing to sub­mit it for pub­li­ca­tion, or sim­ply share it with friends and col­leagues.


Flash Guest Thomas Jay Rush: Bend the Light

A mem­ber of the edi­to­r­i­al staff for Mat­ter Press’s Jour­nal of Com­pressed Cre­ative Arts dis­cuss­es what he’s look­ing for in a sub­mis­sion.


Flash Craft: David Aichenbaum on Physical Fiction

My plan was to write a sort of struc­tured mini-essay, care­ful­ly laid out. But I chanced upon a few mat­ter-full para­graphs writ­ten by Flan­nery O’Connor