Flash Fiction: for writers, readers, editors, publishers, & fans

Tuesday

Tuesday Focus on Flash: Shaula Evans Asks “What is Flash Fiction?”

The writer Shaula Evans recently began a discussion on flash fiction in her Zoetrope Virtual Writer's Studio room it takes a village to raise a writer. Here's how she began that discussion:

I've been reading up on flash fiction over the holidays.

There seems to be zero consensus about what flash is. Cool! That's exciting! That means we're still in the inchoate stage of a new form with room to experiment and play.

I could discern two main camps in the battle to define flash. One camp says flash is all about word count: it's a story, just like a short story, only shorter. And these extra-short stories have word counts of around 1000 words or less, depending on who you ask.

The other camp says flash is all about /not/ being a short story. It's about capturing a moment, but not just a vignette or a snapshot, a moment of transformation, of insight, of epiphany. It's about seizing THE moment when something happens, when something shifts.

(I've grossly oversimplified. There's lots of nuance out there in other people's ideas, and there's more of a continuum of thinking than a dichotomy. These just seem to be the two poles of the thinking that I've encountered.)

I've betrayed my bias here: I think the second idea is more interesting. But at least half the important people in writing disagree with me.

I'm coming to realize that it's pretty much impossible to reconcile these two approaches to flash, the it-is-a-story concept versus the it's-not-a-story concept.

I'm also coming to realize that writing the stories I have in me to write, and letting the story dictate the form, is the truest way for me to write.

I'm raising the question here because I'm very interested in what YOU think Flash is. Do you read it? Do you write it? What works for you? What misses the mark? Do you care about flash at all or is the form not for you?

I'm not interested in definitive answers—they're a good way to shut down a conversation, and a bad way to stir up creativity. But I'm very interested in your opinions, and your experiences and impressions as writers and readers.

What are the hallmarks of good flash for you as a reader? And what do you try to do with flash as a writer?

What's flash all about anyway? What do you think?

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In the next week or so, I'll add some of the responses Shaula received to her questions, and of course I'd love to hear your own thoughts about "what's flash all about anyway?"

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One comment

From Allie

For me, flash is about tak­ing the read­er and the main char­ac­ter on a jour­ney. It needs to come full cir­cle, tak­ing us some­where even if it’s not a hap­py place that we end up. It doesn’t mat­ter if that takes 300 or 3000 words.

To me, the main dif­fer­ence between a flash and a short sto­ry is the amount of detail. A short sto­ry will tell you the col­or of the wall­pa­per in order the set the scene. A Flash will only talk about the wall­pa­per if it moves the sto­ry for­ward in some impor­tant way. Flash will have few­er char­ac­ters that all play a vital role. A Short will name the bar­tender just because he’s there. Flash is a faster pace; a Short will mean­der. It’s a lit­tle about word count more about con­tent.

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