Flash Fiction: for writers, readers, editors, publishers, & fans

Wednesday

Wednesday Writing Therapy: To Be Virtually or To Be Really?

CNN recently highlighted (or is it highlit?) The 12 most annoying types of Facebookers, and their list included "The Friend-Padder":

The average Facebook user has 120 friends on the site. Schmoozers and social butterflies--you know, the ones who make lifelong pals on the subway--might reasonably have 300 or 400. But 1,000 'friends?' Unless you're George Clooney or just won the lottery, no one has that many. That's just showing off.

Being found out by CNN made me even more nervous about my crimes against the writing community, and I imagined my picture going up wherever writers congregate--free internet cafes, beret stands, bongo concerts, and the like.

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Just as blogs get defined by the number of visitors, page views, hits, so too, I've begun to fear, do virtual writers. In other words, my fear is that quantity (the number of stories published) has become a defining feature of one's "value" as a writer. Writers, as do most of us, now exist both virtually and really--and one hears of literary agents immediately doing internet searches of writers to see if they truly exist. Perhaps that's a bit of an exaggeration, but I've gotten more than a few publications and editors interested me mainly through my appearing often enough during their searches for them to assume I must matter in the tiny world of flash.

 

These above ideas came to the forefront of my thoughts this summer while teaching a class on blog publishing. Chapters and chapters, article after article focused on all the ways you can bring traffic to your site, get found by search engines, linkbait, trackback, ping--and so few words seemed devoted to the quality of the writing. Becoming a "somebody" in the saturated blogosphere and driving traffic to one's site in each case dominated the discussion of blog publishing. Even though most articles eventually mentioned that the top reason people return to sites was the "quality of the content," these articles for the most part gave very generic advice on how to create quality content: stay focused, write small, proofread. A lot of the choices, for example the wording of the headline, had more to do with getting search engines to find you than with any writerly concern.

That led me to think that I, as a writer, have become something of a blog, something that exists online, something that can be Googled and thus discovered, something that appears to be (somewhat) important because I can appear in enough places, because a search brings me up, because (as my own endless Googling of self assures me)

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I am the number one Randall Brown in the world, closely followed by "Indian Fighting" Randall Brown who teaches "Indian Fighting Skills" because "the most feared... most respected... and most hyper-skilled fighter who ever walked this earth... was the American Indian." (I would've included a link here, but that might give him the edge he needs to overtake me for the top spot).

In other words, I am known as a flash writer, and that being known by just "being" is what gets the self-doubt wondering if  "padding" has become the be-all and end-all of my writerly pursuits.

As I write this, I'm thinking that maybe the worth of a writer has always been in some way associated with the number of people reading him or her, the number of books or stories published, and I'm struck now by a deep uncertainty about exactly what I'm whining about here. I think it has to do with my being a bit concerned about the internet's focus on "visitors" and "page views"--on being found (and found often) rather than on being great (or even good). I know that I've not consciously tried to be a publishing-padder, but I do wonder if, a bit unknowingly, I've bought into this idea that being a writer in today's environment means making a name for one's self through visibility rather than talent. 

Of course, I hope that I'm just being a bit hard on my self. As Frost found earth to be the "right place for love," I've found the blogosphere to be the right place for unfinished thoughts. This is such a thought, more a wondering than anything definitive. I'm curious what others think about how the focus on becoming "known" in virtual reality has any particular effect on writers, writing, or anything else for that matter. I look forward to seeing your thoughts. Comment and exist! 

Previous Therapy Sessions:

9 Songs To Get You Up & Writing

"To Write or Not Write" from SmokeLong Quarterly

What Rejections Mean

What To Make of a Diminished Thing?

A Very Little Book Laid Bare

8 comments

From david erlewine

Ha, I’m a pub­li­ca­tion and friend pad­der. To counter that, in con­ver­sa­tions on sub­ways I reduce the time I say it takes me to run long dis­tances.

From Randall Brown

Do you feel a great weight lift­ed off you now that you’ve con­fessed, David?

I agree this is a dan­ger.

But… at their best, I think the net­work­ing tools (and I rec­og­nize you’re talk­ing about pub­li­ca­tions, not social net­work­ing, but the way you’ve inter­twined them in your post I think makes them dif­fi­cult to ful­ly sep­a­rate) allow us to build com­mu­ni­ty as writ­ers and draw atten­tion to one another’s work. It might be a bit Pollyan­naish, but I think if we use these tools mind­ful­ly, with the goal of sup­port­ing oth­ers more than self-pro­mot­ing, and with a focus on qual­i­ty of work and not just per­son­al­i­ties, this hope­ful­ly off­sets some of the dan­ger.

Did you see Dar­by Larson’s blog post about the lack of a devel­oped crit­i­cism of online writ­ing and his wor­ry that dumbs down our con­tent? I think it adds a valu­able wrin­kle to the con­ver­sa­tion.

From Randall Brown

Darby’s post is inter­est­ing, Tim. Thanks for point­ing my atten­tion there. I’ve been think­ing of sim­i­lar ideas, though I’m not sure Dar­by and I would come to the exact same con­clu­sion.

From Erin

On one hand, I’m a writer who com­plete­ly gets where the hes­i­tan­cy comes from. Self-pro­mo­tion nev­er feels noble, and I cringe a lit­tle every time it’s nec­es­sary.

On the oth­er hand, I’m also a read­er who likes to know when writ­ers I’ve enjoyed in the past have new work avail­able for me to read. The world of pub­li­ca­tion pos­si­bil­i­ties is so big that it’s MUCH eas­i­er to find that when a writer points me to it her/himself. I don’t want to wait for anoth­er writer to find it and deem it post­wor­thy. (That said, I love good rec­om­men­da­tions. It’s how I find out about new writ­ers!)

I think it’s rea­son­able to say that a writer and a read­er serve dif­fer­ent pur­pos­es when draw­ing atten­tion to work. I sus­pect that the real prob­lem lies in logrolling for the sake of logrolling, but that’s prob­a­bly a mat­ter for anoth­er day entire­ly.

From Randall Brown

It is a strange world these days, where writer must be self-pro­mot­er. I guess all writ­ers (maybe all peo­ple) feel a bit strange being put in such a posi­tion.

I think, in your defense Ran­dall, that short sto­ry writ­ers (espe­cial­ly flash writ­ers) can’t real­ly avoid adding notch­es to ye ‘ole pub­li­ca­tion belt. It’s rel­a­tive­ly easy to write a good num­ber of flash­es, and if you want to see them all in print, they are inevitably going to appear in a vari­ety of pub­li­ca­tions (unless you save them for a per­son­al com­pi­la­tion). Such is life.

Even if you wrote only one flash a month, you’d have 12 sto­ries a year. If you spread the love around, that could be 60 sto­ries in 60 pub­li­ca­tions in 5 years. Qual­i­ty is impor­tant. It’s the most impor­tant. But at the end of the day, if writ­ing flash is what you do, quan­ti­ty can be hard to avoid. 

Our obses­sion with met­rics is dis­heart­en­ing. But, writ­ers and edi­tors want to know they mat­ter, and because most read­ers don’t write you a per­son­al email say­ing they love your sto­ry or your pub­li­ca­tion, we use a messy proxy like hits. I sup­pose it’s the only way to scratch that itch, unful­fill­ing as it is.

From Randall Brown

I hadn’t thought of that, Ben, how the short­ened form might dic­tate the # of pub­li­ca­tions. I’m feel­in’ a bit bet­ter about myself, and so maybe greater quan­ti­ty doesn’t nec­es­sar­i­ly mean­ing less­er qual­i­ty. A good thing for me to remem­ber.

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