Flash Fiction: for writers, readers, editors, publishers, & fans

Monday

Eric McKinley @ FlashFiction.Net: The Question at the End of “Stories”

(Editor's Note: First, read "Stories" by John Edgar Wideman, from Conjunctions 34)

 

John Edgar Wideman is the writer who has been the most significant influence on my own work. So, as I work through the challenge of writing my own flash pieces, I was struck to come across this piece. Wideman is not known as a "flash" writer, but a novelist, short story writer, and essayist.

This piece is compelling to me and works as a flash on several levels. First, the title, "Stories" is simple, serves as a thematic thread, but doesn't give anything away.

The next thing that struck me was the opening. It's a fragment. But it's sparse, compact and effective.



This story is a series of questions
leading to a surprising, punchline answer. Much of flash takes on this type of narrative and so it fits within flash tradition/aesthetic. Despite all of the questions, there are no question marks. With so many needed, they would be distracting. Wideman focuses us on the text. On the story within the story.

The sentence upon which everything hinges is "Is the previous question one of them or is it another kind of question, not about the man or the walking or the rain." This sentence informs the reader that there is a larger answer lurking. It is an answer to a larger question.

And then we come to the end. We answer the larger question. This flash piece does not ask a question about a man walking, or a banana, or rain. It is the answer to the question: "Do you love me?"


About the Author

Erick McKinley Flash Fiction Writer

Eric McKinley is a Philadelphian. He is soon to finish an MFA in Fiction at Rosemont College. He writes a story every now and again. His work has appeared or is forthcoming in various print and online journals. Samplings can be found here.

2 comments

From Anne Willkomm

I’m not sure I would have stum­bled upon this piece on my own — so thank you for draw­ing our atten­tion to this piece. I agree it is inter­est­ing. Open­ing with a frag­ment — kind of unusu­al, but works for this piece — actu­al­ly, every­thing works for this piece, espe­cial­ly the end­ing — though I’m not sure I’d agree that it is a punch line answer — or maybe it just doesn’t read like one.

From Eric McKinley

Thanks for read­ing, Anne. Wide­man does a lot of stuff with frag­ments and descrip­tion that I used to just flat out steal until I found some sem­blance of my own voice.

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