Two mice had drowned in the toi­let.

I will sim­ply note each type of POV, show an exam­ple or two, and touch on the strengths and weak­ness­es of each.

In a piece of flash fic­tion, the sto­ry has to be told, and the char­ac­ter has to be devel­oped, using just a few, key details and turns of phrase.

FlashFiction.Net pro­vides a sneak peek inside the world of Eric Bosse’s col­lec­tion MAGNIFICENT MISTAKES.

STRIPPED is a col­lec­tion of gen­der-twist­ing “anony­mous” flash fic­tions.

The OED adds an aver­age of 4,000 words every year. FlashFiction.net has whit­tled the list down to about ten prompt-friend­ly selec­tions.

A review of SUDDEN FLASH YOUTH, 65 short-short sto­ries, all fea­tur­ing young pro­tag­o­nists.

A stu­pid ques­tion about flash fic­tion writ­ing gets some snap­py answers.

A top ten list about just how fear­less flash fic­tion writ­ers can be.

So, choose one, two, or all three titles below and have at it.